Synthesis of dance styles in contemporary art and education
How to cite
Abstract
The article examines the phenomenon of synthesis of dance styles in modern art and its impact on educational practices. The relevance of the topic is due to the intensive dynamics of the development of dance culture and the need to understand new trends in the pedagogical context. The purpose of the study is to identify the specifics and educational potential of the synthesis of dance styles. Tasks: to analyze the theoretical aspects of the problem; to study specific examples of the synthesis of styles; to determine their role in the development of dance education. The methods of theoretical analysis of scientific literature, comparative typological and art criticism approaches, expert interviews with leading choreographers (n=15) were used. It is established that the synthesis of dance styles: 1) is a reflection of postmodern trends in art; 2) stimulates the search for new expressive means and pedagogical techniques; 3) promotes the formation of polystylistic thinking among students; 4) enriches the palette of expressive means of modern dance. The research contributes to the development of the theory and practice of dance education. Its results can be used in the development of innovative educational programs. The prospects for further study of the problem are associated with a deeper analysis of specific examples of the synthesis of styles and an assessment of their pedagogical effectiveness.
Keywords
References
Аракчеева О.Е. Синтез стилей и техник в современной хореографии // Культура и образование. 2020. № 2(37). С. 93-98.
Богданов Г.Ф. Работа над танцевальной речью // Вестник Московского государственного университета культуры и искусств. 2019. № 4(90). С. 149-154.
Борисова М.М., Ермаков Д.А. Феномен полистилистики в современном танце // Культурное наследие России. 2021. № 3. С. 41-47.
Вашкевич Н.Н. История хореографии всех веков и народов. СПб.: Лань, 2021. 192 с.
Григорович Ю.Н. Балет: Энциклопедия. М.: Советская энциклопедия, 1981. 623 с.
Дубник И.О. Педагогические аспекты освоения современных танцевальных техник // Наука. Искусство. Культура. 2021. № 4(32). С. 169-174.
Есаулов И.Г. Хореодраматургия. Искусство балетмейстера. Ижевск: Удмуртский университет, 2000. 320 с.
Катышева Д.Н. Вопросы теории драмы: действие, композиция, жанр. СПб.: СПбГУП, 2016. 196 с.
Кузнецов В.Ю. Философия танца // Вестник Казанского государственного университета культуры и искусств. 2015. № 1. С. 44-48.
Никитин В.Ю. Мастерство хореографа в современном танце. М.: ГИТИС, 2017. 520 с.
Пуртова Т.В., Беликова А.Н., Кветная О.В. Учите детей танцевать: учебное пособие для студентов учреждений среднего профессионального образования. М.: Владос, 2019. 256 с.
Сапогов А.А. Школа музыкально-хореографического искусства. СПб.: Лань, 2020. 264 с.
Ashley L. Essential guide to dance. 3rd ed. L: Hodder Education, 2008. 208 p.
Bremser M., Sanders L. Fifty Contemporary Choreographers. 2nd ed. L: Routledge, 2011. 512 p.
Malnig J. Ballroom, boogie, shimmy sham, shake: а social and popular dance reader. Chicago: University of Illinois Press, 2008. 400 p.
Downloads
Published
Issue
Section
Metrics
License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.