Linguistic tools of the eye nominations/eyes in the poetic language of M.Y. Lermontov (to help the teacher-researcher)

Abstract

This work is addressed to a teacher-researcher based on a set of linguistic tools and technologies. The article examines the lexemes "eyes" and "eyes" from the point of view of semantics and stylistic functioning in M.Y. Lermontov's poetry. Language analysis identifies the most commonly used contextual accompaniments that reflect the author's individual worldview. As a result, artistic techniques are revealed that contribute to the non-verbal element becoming an artistic detail. Using the material of the poems by continuous sampling, it was found that these lexemes are text-forming in the artistic space when describing the emotional state of the author. A complete corpus of contexts with the linguistic units "eyes" and "eyes" has been identified, and syntagmatic and paradigmatic connections have been established. The multidimensional approach makes it possible to analyze the semantic and structural transformations of individual lexemes within the framework of the anthropocentric paradigm. In turn, the linguistic analysis of semantic and stylistic transformations testifies to the innovation of M.Yu. Lermontov's work in the field of filling the volume of words and specifically lexico-semantic variants, while the word is considered not only as an element representing a fragment of the worldview, but also as a means of conveying a subjective view of it.